Saul Bass: Man with the Golden Titles
Editors note: The video posted here was compiled by Ian Albinson and posted on the blog, The Art of The Title in celebration of the release of the book “Saul Bass: A Life In Film & Design.”
While Saul Bass (1920-1996) was undoubtedly one of the most influential graphic designers of the Twentieth Century, he is best known for revolutionizing the discipline of film title design. Throughout Bass’s career he has worked with many prestigious directors: Otto Preminger, Alfred Hitchcock, Billy Wilder, Robert Altman and Martin Scorsese.1
Born in the Bronx in 1920, Bass was a creative child and eventually went on to study at the Art Students League in New York and Brooklyn College.1 Bass worked as a freelance designer in New York City until 1946 when he moved to Los Angeles in search of greater artistic freedom.1
Bass began his film work in the mid-1950s, first working with Otto Preminger on Carmen Jones.2 In 1955, “Preminger again called on Bass to work on The Man With The Golden Arm, for which Bass created the famous jagged arm design, suggesting the jarring and disjointed existence of a drug addict… Bass, along with a small number of other 1950s designers such as Paul Rand and Erik Nitsche, operated against cluttered imagery and towards geometric designs using angular shapes and primary color schemes.”3
During this time Bass was responsible for designing titles for The Seven Year Itch, Around the World in 80 Days and Bonjour Tristesse. He also created titles for Alfred Hitchcock’s Vertigo and North by Northwest. He partnered with Hitchcock again in 1960, providing not only the title design for Psycho; this time Hitchcock asked Bass to work on the film production as well, including Janet Leigh’s infamous shower scene.1
During “the 1960s, Bass’s genius extended to building corporate identities for some of the biggest companies in the USA.” 3 Among the many organizations that Bass developed logos for were AT&T, Quaker Oats, United Airlines, Minolta and Warner Communications. In 1968 Bass took his turn behind the camera to direct “a series of shorts culminating in 1968’s Oscar-winning Why Man Creates.”1
Bass’s film career enjoyed revitalization in the late 1980s and 1990s, when a new generation of film directors became interested in his work. Bass’s projects from this period include Big, Broadcast News, Goodfellas, Casino and The Age of Innocence.1
Bass died in 1996, but his influence can still be seen in current advertising and in movies and television programs such as American Movie Channel’s Mad Men.
References
- Design Museum, (n.d). Saul Bass, Graphic Designer (1920-1996). http://designmuseum.org/design/saul-bass
- IMDB, (2011). Saul Bass (1920-1996). http://www.imdb.com/name/nm0000866/
- Nourmand, T. (2000). Saul Bass. Patek
Philippe, Number 9, Spring / Summer. http://www.saul-bass.com/
Born to be Wild
Thanks to the Animalarium for sharing these great animal-themed travel posters. To view more, visit the blog. More terrific posters by illustrator Harry Rogers can be found on Airways Art.
Leo Pecchioni. Costa Viola Poster (1960)
Source: http://2.bp.blogspot.com/-JU5_T-pXyaE/TcRcqgz3gfI/AAAAAAAAGTw/1S_jqS5B7Gg/s640/6+leo+pecchioni+1960+brandina.jpg

Harry Rodgers, Japan Poster, Qantas Airlines (circa 1950s).
Source: http://4.bp.blogspot.com/-ZHRagDuYxGQ/TcRcunxyDgI/AAAAAAAAGUE/_B1wzlABJew/s640/10+harry+rogers+japan.jpg
Silly Saturday: Godzilla Movie Posters
While this topic doesn’t actually qualify as “silly,” we’re posting it as a Silly Saturday since it’s lighter than our usual fare. Monster Brains posted a fantastic collection of international movie posters promoting the original 1954 “Godzilla.” Enjoy.

Artist unknown. Godzilla Poster (1954).
Source: http://imagecache6.allposters.com/LRG/22/2249/I2AZD00Z.jpg
Five Reasons Why Designer Lester Beall (1912-1969) Should Be Remembered
1. Lester Beall’s poster series for the United States Government’s Rural Electrification Administration, designed between 1937 and 1941, were influenced by the Russian Constructivist Movement and increased ”public awareness of the benefits of electricity” (1).

Team Work, poster, 1937-1940.
Source: http://s3files.core77.com/blog/images/2010/01/beall1.jpg
2. In 1937 Beall was the first graphic designer to have a one-man show at New York’s Museum of Modern Art.

Untitled Drawing, year unknown. Ink on paper
Source: http://www.lesterbeall.com/images/personal-7.gif
3. Although Beall’s firm had many corporate clients, such as Caterpillar Tractor and the New York Hilton, in 1960 “his identity program for International Paper Company was his most extensive…and is noteworthy for the graphics standards manual, one of the first to be so fully articulated” (1).

Spread from Internatiional Paper Graphic Identity Manual (Year unknown).
Source: http://farm3.static.flickr.com/2793/4248648354_b3dd18fc51.jpg
4. Beall incorporated a variety of media in his work: “woodcuts, lithos, drawings and pieces of paintings”(2). In addition, he possessed a passion for photography and continually experimented with photographic effects and techniques (1).

Cover of “What’s New” publication for Abbott Laboratories, 1939-1940.
Source: http://www.lesterbeall.com/images/type-4.gif
5. Beall’s work continues to impact designers today.

Hitler’s Nightmare, for Crowell Publishing Company, 1939
Source: http://www.uiu.edu/~art/melindaportfolio/images/multimedia/melindagraphicdesiger/images/lesterbealwar.jpg
For more on Lester Beall read R. Roger Remington’s essay “A Creative Genius of the Simple Truth” written for the occasion of Beall’s award of the medal of AIGA in 1992. Also visit www.lesterbeall.com, a site devoted to his life and work. More resources on Beall can be found here: http://www.lesterbeall.com/reference.shtml.
References
1. Remington, R. R. (1993). A Creative Genius of the Simple Truth. http://www.aiga.org/content.cfm/medalist-lesterbeall
2. An Architectonic Clarity. (2010). Lester Beall.org. http://www.lesterbeall.com/architectonic.shtml
A Graphic Getaway

Hotel Land Haus Davos – Designed by L.M. Kohler
Source: http://www.flickr.com/photos/wavesjax/4463548196/
I don’t know about you, but I feel as if I could use a vacation right about now.
Unfortunately, that’s not possible. Instead, I’ll have to take an imaginary journey inspired by these great graphics from Aqua Velvet’s “The Fine Art of Travel” series of European travel posters and hotel graphics. Bon Voyage!

